伊豆の踊子 [Izu no odoriko] by Yasunari Kawabata

It is said that Yasunari Kawabata, the original author who observed the movie shooting, felt 'nostalgic familiarity' with Sayuri Yoshinaga wearing a dancer. Sayuri Yoshinaga plays two roles by Kaoru, a dancer and a modern dancer, who appear in the flashback scene. The old modern hero was played by Jukichi Uno, and Hideki Takahashi played when he was a young student. It is a production called ending in the scene. The modern scene at the beginning is monochrome, the professor's youth recollection (interaction with the dancer, that is, the part of the original novel) is a vivid color film, and when he wakes up from that recollection, it is monochrome again, and the young couple of the present age runs into hope. The major difference from the original novel is that storytelling has the appearance of 'recollection of a certain university professor.' Moreover, the fact that the introductory part that triggered the flashback scene was 'student marriage' was also a modern drama, and it was devised to be familiar to the younger generation who received a new education after the war.

Please help Japanese Movies by adding proper information on this subject. Screenplay: Katsumi Miki, Katsumi Nishikawa.Grandmother of the teahouse: Chiyoko Komine.Kawasaki: Hideki Takahashi (student) Jukichi Uno (modern).While watching over the two young people, the professor's heart goes back to the distant past. However, in the heart of the professor who learned that the girl who vowed the future with the male student was a 'dancer', the memories of youth who once had a faint love for the traveling entertainer's dancer revived. It was a story of 'I want you to be a matchmaker for marriage,' but Professor Kawasaki, who is a little worried and worried about student marriage, hesitates. Kawasaki, a university professor, was brought in by a male student who was a student. SPOILER WARNING: This section may contain major plot and/or ending details.

伊豆の踊子 [Izu no odoriko] by Yasunari Kawabata